01. Weightless (with drums)
02. Halycon Counterpoint No. 1
03. E-Girl
04. We Watched Together (Alternate Take)
05. Fade Away
06. Sky Written

j2qe-6h8g
9x8b-yjbu
zczl-bkdq
np2q-xkxt
59l6-58mb
gyct-brkw
2uj2-xl64
dmgw-je8m
s8kc-kbb6
xxy4-jksk
jekq-yyx8
01. Without Memory
02. Points of Gravity
03. Shizukana kūkyo (Quiet Emptiness)
04. Before The Stars Had Names
05. The Night Accepts The Fire
06. The Weight Of The Night Sky
07. We Watched The Sky Together
08. Without Memory (Revisited)
01. Darker, Slower
02. Inescapable Progress
03. Drift on Solace Strings
04. Of Shadows Against the Night
05. When The Raven Flies Too Close to the Moon
06. Electric Night:Where Dreams Depart
07. Noctambulism
Kevin Lenkner grew up in pastoral south central Pennsylvania, rooted between Amish country and the battlefields of Gettysburg. A fellowship led Lenkner to the epic Sangre de Cristo Mountains in New Mexico to attend a Deep Listening Retreat conducted by the late Pauline Oliveros, a key figure in experimental and post-war electronic art music.
Inspired by the Southwest’s landscapes, culture, and historical significance, Lenkner relocated to New Mexico, intent on developing new artistic practices. Adopting the Black Sun High Desert moniker, Lenkner combines his lifelong passion for music and sounds with the exploration of visual materials. This exploration includes investigating memory, perception, and appropriation through sonic landscapes. Other works weave narrative and emotive elements for an experiential gestalt manifesting through recording projects, new media works, performances, and audiovisual art installations.
Lenkner currently resides with his wife and son in Santa Fe, NM.
I am interested in sounds; the shape of sounds, their colors, edges and surfaces. I am interested in the expressive properties of sounds and how they interact with visual materials to communicate narrative and emotion through audition. Sometimes my works contain only suggestions of sounds or the visual metaphor of a silent audio speaker. Collecting, constructing and crafting describe the methodology for both the visual and audio materials of my works that manifest in sculptures, or installation formats.
Philosophically, I am influenced by composers John Cage and Pauline Oliveros among others. Composition forms and methods are drawn from musician/producer, Brian Eno, soundscape composer Barry Truax, and artists, Martin Puryear, Anselm Kiefer and director, David Lynch. The artist I am most indebted for inspiration is German born, Rolf Julius, whose work, Ash at the Mattress Factory sparked an artistic epiphany for bringing together visual and audio elements.